Dance meets sculpture meets garden shed. Douglas shares the spotlight with simple objects in a choreography of cause and effect. Douglas arranges objects – usually carefully. Objects arrange Douglas – sometimes spectacularly. In this surprising, vulnerable and humorous solo, the audience has the privilege to enter the world of a solitary character. He makes connections the best way he knows how – through trial, error and boundless curiosity. Douglas stems from physical actions imagined by Robbie Synge while working on various daily tasks at home in The Highlands of Scotland. The work was developed throughout 2014, outdoors and in Evanton Village Hall.